February72013

occupationalartschool:

A photoset by Wilson Novitzki [DisciplineAriel] for the NovadZINE n-terstitial Edition

(Source: occupationalartschool)

December142012
afh2012:

PEACE [for Amelia, Wilson, Christopher & All]By Paul McLeanTIMEcomeswhenyou wishyou had been kindto every soulwhose pathyou crossed& realizeyou had not. Like the cindersfloatingon the wind toward the windowof this loftfrom the concrete plantyonderto enterwhatever you dothrough the gapsin the panesinto the lungsof this small childyour beautiful sonLachlanwho knowsnothing of ashdiseaseor dying& wrong& not. Was it TIMEpropelled the orbor the orbself-propelled?Look out ~She’s moving. In that onemoment…the fireburning~ passion aflamein Ithacato conceive a child& after,to feaston the fleshof animalsin the midstof loud voiceslights too bright not knowingnot in your headthat He is coming.Now this world is endingthis calendaris overYou can feel itin you through & throughyour sense of itis precise It is preciousthat muchis clearlike a dayafter snow has fallen& the the storm passedbefore anyonehas risenyou pull on your bootsyou walk the trailto the mountainsno tracks but yoursin the powderhardly a soundat allbut the crunchof your weightpacking the snowunderneathyour treadingthe inclineinto the tree linethe Pondy pines& cover& you wishyou were lightenoughthat your passingwould not evendisturb one snowflakeeach one ~you learnedalong the waysomewhere, maybeschool or churchor the TV~ is uniqueat some pointyou stoplook out ~upon the scenethe spectacleof Naturearrayeda panaromafar below you[though up& down& all aroundbarelyregisters, here]where you standbreathingnot too hardthe wind(s)on the faceit feels goodthe intent movementhas made you warmyou couldgo furtherbut you do notyou reachwith gloved handsto the sky…you were youngthenthough it didn’t seem like ityou were thinkingof other thingsyou thought & behaveddifferentlyor not at all& maybe it’s betterto not pondertoo muchthe profoundmysteryof living& beingalonealtogetherwith everythingin the world∞on the Hillyou & waterbecame relativesby the fireyour relativesbecomeblood with tobaccoyou dreamed& prayfor everythingthat moveseverythingholypeering at the heavensall the stars & whatnotyou seemore or lessdependingon the songyou are singingfriendsstanding beside yousinging too~ same songforeverinside it formslike a haloon an angelin a paintingwithin your ribcageor between your cellsa spirit a minda ghostdances…in the paintyou found it& to not make it realis killing youdriving you madunder the circumstancesbecause of conditionsbeyond your control ~TIME is the only objectSure, manbut that will not[as a subjectfor discourse,an idea,a negation,ultimately]create your art,for you, & it is not allsubjective,in quinacridone red gold on redwoodfrom dead & downharvestedon Morris Graves’land, lovelypropertynear the bird sanctuaryyou draw chakrasrepresenting kundaliniabout which you knownothing, for certain& the wood splits& there’s an earthquakeor thunder& the rendingcracks openeach oneat 3AM in the morningor thereaboutsto the pema karthe white lotus at the summiton the pinnacleof your skullbetween you & the cloudsan Openingout of the mucka flowera funny monkey& Highlander through & throughpast the otherworldlymonstrous& loyal guardswith barely a scuffleto See herGreen Taraon her throne& you exchangeformalities,such as they arethere…she commandsyouto quitfightingthe only thingactionyou cannot doso did Joanyears laterno mas (~ Roberto)righteous angershe smiledsatchidananda& youborn of the dragonlong ago~ it served you…until the chillmorning air& your shiveringwake youyour cold blanketsyour clenching fingersyour hollow throatyour swollen tongueno possessionsaching all overyour bodyno onearoundyou hold Itclose to youyou weepfor Vision& it wasalwaysthis way& will beforever~ Old man- December 14, 2:51 AM, Bushwick

afh2012:

PEACE
[for Amelia, Wilson, Christopher & All]
By Paul McLean

TIME
comes
when
you wish
you had been kind
to every soul
whose path
you crossed
& realize
you had not.

Like the cinders
floating
on the wind
toward the window
of this loft
from the concrete plant
yonder
to enter
whatever you do
through the gaps
in the panes
into the lungs
of this small child
your beautiful son
Lachlan
who knows
nothing
of ash
disease
or dying
& wrong
& not.

Was it TIME
propelled the orb
or the orb
self-propelled?

Look out ~

She’s moving.

In that one
moment

the fire
burning
~ passion aflame
in Ithaca
to conceive
a child
& after,
to feast
on the flesh
of animals
in the midst
of loud voices
lights too bright
not knowing
not in your head
that

He is coming.

Now
this world
is ending
this calendar
is over

You can feel it
in you through
& through

your sense of it
is precise

It is precious

that much
is clear

like a day
after snow has fallen
& the the storm
passed

before anyone
has risen

you pull on your boots
you walk the trail
to the mountains

no tracks but yours
in the powder

hardly a sound
at all

but the crunch
of your weight
packing the snow
underneath
your treading
the incline

into the tree line
the Pondy pines
& cover

& you wish
you were light
enough
that your passing
would not even
disturb one
snowflake

each one ~
you learned
along the way
somewhere, maybe
school or church
or the TV
~ is unique

at some point
you stop
look out ~
upon the scene
the spectacle
of Nature
arrayed
a panaroma
far below you
[though up
& down
& all around
barely
registers, here]
where you stand
breathing
not too hard

the wind(s)
on the face

it feels good

the intent movement
has made you
warm

you could
go further
but you
do not

you reach
with gloved hands
to the sky



you were young
then
though it
didn’t seem
like it

you were thinking
of other things
you thought & behaved
differently
or not at all
& maybe it’s better
to not ponder
too much
the profound
mystery
of living
& being
alone
altogether
with everything
in the world



on the Hill
you & water
became
relatives

by the fire
your relatives
become
blood

with tobacco
you dreamed
& pray
for everything
that moves
everything
holy

peering at the heavens
all the stars
& whatnot
you see
more or less
depending
on the song
you are singing
friends
standing beside you
singing too
~ same song
forever

inside it forms
like a halo
on an angel
in a painting
within your ribcage
or between your cells
a spirit
a mind
a ghost
dances



in the paint
you found it
& to not
make it real
is killing you
driving you mad
under the circumstances
because of conditions
beyond your control ~

TIME is the only object

Sure, man
but that will not
[as a subject
for discourse,
an idea,
a negation,
ultimately]
create your art,
for you,
& it is not all
subjective,

in quinacridone
red gold on redwood
from dead & down
harvested
on Morris Graves’
land, lovely
property
near the bird
sanctuary

you draw chakras
representing kundalini
about which you know
nothing, for certain
& the wood splits
& there’s an earthquake
or thunder
& the rending
cracks open
each one
at 3AM in the morning
or thereabouts

to the pema kar
the white lotus
at the summit
on the pinnacle
of your skull
between you
& the clouds

an Opening

out of the muck
a flower
a funny monkey
& Highlander
through & through
past the otherworldly
monstrous
& loyal guards
with barely a scuffle

to See her
Green Tara
on her throne

& you exchange
formalities,
such as
they are
there

…she commands
you
to quit
fighting

the only thing
action
you cannot do

so did Joan
years later

no mas
(~ Roberto)
righteous anger
she smiled
satchidananda

& you
born of the dragon
long ago
~ it served you



until the chill
morning air
& your shivering
wake you

your cold blankets
your clenching fingers
your hollow throat
your swollen tongue

no possessions

aching all over
your body

no one
around

you hold It
close to you

you weep
for Vision

& it was
always
this way

& will be
forever
~ Old man

- December 14, 2:51 AM, Bushwick

September32012

afh2012:

Moving images by Paul McLean. Source material: video by Cody Sullivan; overhead projector mixing by Michael Barron; music by Wilson Novitzki + Adam Caine; set at Occupational Art School Node 1 at Bat Haus, August 25, 2012

[Video-only; for installation at CO-OP, an Occupy with Art experimental collective project in partnership with bj spoke Gallery in Huntington, Long Island, opening September 8 2012]

September12012

Trans-Animation by Paul McLean emerging from DisciplineAriel performance at Occupational Art School Node 1 at Bat Haus on August 25, 2012. Source video by Cody Sullivan. Overhead projection by Michael Barron. Musical inspiration by Wilson Novitzki and Adam Caine. BG Animations by Paul McLean.

August262012

bathaus:

8/25 Live Performance by Wilson Novitzki + Adam Caine + Michael Barron + Occupy with Art

1PM

For the August 25 DA performance at OASN1@BH

1PM
1PM

Photos of DisciplineAriel projection by David Michael Barron, August 25 at OWAN1@BH.

August252012
Wilson Novitzki on synth.
Adam Caine on guitar
Michael Barron on overhead.

Wilson Novitzki on synth.

Adam Caine on guitar

Michael Barron on overhead.

8PM
PJM photo
Michael Barron projection
8:33

PJM photo

Michael Barron projection

8:33

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